Italiano: Nel cuore del giglio, una goccia di rugiada risplende, riflettendo la luce dell'intero universo. Nonostante la sua fugacità, essa porta con sé la promessa dell'alba e la bellezza eterna della vita.
English: In the heart of the lily, a dewdrop shines, reflecting the light of the entire universe. Despite its fleeting nature, it carries the promise of dawn and the eternal beauty of life.
Short Biography
Viola Fusha, born on May 1, 1971 in Albania, has been living in Brescia, Italy, for 34 years. Her passion for painting began during her school years, starting with simple black and white sketches and evolving into works with watercolor, oil, and acrylic. Viola draws inspiration from nature and music, which are reflected in her art.
Throughout her artistic journey, Viola has exhibited her works in various locations in Italy and Germany. In the past two years, she has participated in numerous group exhibitions in Bergamo, Turin, Trentino, Salò, and Brescia. She currently has a solo exhibition in Reggio Emilia. Viola has also honed her skills through self-taught courses with local painters and a year of study at the Laba Academy of Fine Arts in Brescia.
Viola's dedication to art and her continuous exploration of new techniques and inspirations make her a valuable addition to our festival. We look forward to her participation and the unique perspective she will bring to the event.
Join us in welcoming Viola Fusha to the Panorama International Arts Festival 2024, where her passion for art will undoubtedly inspire and enrich the experience of all attendees.
Viola Fusha's art is a profound dialogue between matter and concept, a journey into the complexity of the human soul and the poetry of nature that the artist uses as a code to communicate what she feels, perceives, experiences, and thinks. Fusha's works exude a multifaceted visual language, where chromatic layering and compositional balance blend to create a narrative that is as emotional as it is intellectual, merging beauty and concept.
Language and Style of Viola Fusha
Viola Fusha has a painterly approach that oscillates between figurative and abstract, creating a continuum that invites the viewer to actively participate in decoding the image to grasp the controlled spontaneity of the gesture that leads to that sublime disorder giving life to the visual narrative. Fusha's chromatic language appears imbued with symbols, fragments of a narrative that refers to both the real and the imagined, creating an atmosphere suspended between dream and reality. In her works, color is never a mere decorative tool but becomes the protagonist of a complex semantics.
The warm tones, often rendered in fiery reds and intense oranges, evoke passion, vital force, and transformation, while the blues, delicately emerging in some compositions, offer counterpoints of introspection, melancholy, and calm, as well as a strong invitation to meditate. This emotional palette tells of an artist unafraid to confront the polarities of existence—light and shadow, fervor and reflection, concreteness and transcendence—expressing her emotions in a way that becomes syllables, words, and phrases with which Viola Fusha narrates herself.
Philosophy and Semiotics of Viola Fusha
On a philosophical level, Viola Fusha's art seems to question the human condition, being part of nature and, at the same time, a singular and social entity. Some recurring elements suggest a reflection on memory and time, themes that echo in the transfigured naturalistic details, such as solitary trees, symbols of roots and solitude, or blurred landscapes, evoking an archetypal nostalgia, in works rich with expressive depth and poetry.
Viola Fusha does not settle for representing the world but aims to evoke it, transmuting it into a symbolic and universal dimension where color becomes the voice of a story, like a documentary narrating life. Her poetics seem to whisper that behind every image lies a profound intuition, an unspoken thought that only imagination can complete, where the relationship between work and audience becomes almost symbiotic, as the viewer, more than a mere observer, is called to be an interpreter, a co-creator of meaning.
Viola Fusha's art, therefore, configures itself as a refined workshop of the imagination, where technique, philosophy, and sentiment intertwine in a visual discourse of rare intensity, apath that draws inspiration from ancient painting traditions but speaks a contemporary language, capable of addressing a plurality of sensibilities and suggesting questions rather than answers. And perhaps this is the main peculiarity of Viola Fusha's art: the ability to leave open interpretative spaces where thought and emotion find their most authentic expression.
Italian Art critic
Pasquale di Matteo
Best wishes Art coordinator Art Project 2025 - By Writers Capital International Foundation Silla M. Campanini
all attendees.
Il critico Matteo di Pasquale
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